Review: Poor Things
From one epoch to another, humans have been governed by the customs, traditions, and etiquette of their age. As we forge towards modernity, we are forced to balance and attune our most primal of...
View ArticleReview: Ferrari
Michael Mann can’t seem to stay away from flawed personalities, especially the ones attached to challenging, formidable men. It’s only natural his first film since 2015’s Blackhat is one that unpacks...
View ArticleReview: Argylle
Across its extensive, gimmicky marketing campaign, Matthew Vaughn’s Argylle repeatedly asks one eponymous question: Who is agent Argylle? It’s an enticing, almost Hitchcockian ask that beckons viewers...
View ArticleReview: Lisa Frankenstein
In some circles the ‘80s never ended. The endearing kitsch, neon aesthetic of that immortal pop culture decade continues to burn bright, infiltrating the zeitgeist of our post-internet world with pure,...
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Review: Love Lies Bleeding
Writer-director Rose Glass is proving herself to be one of the most exciting and vibrant voices in genre filmmaking. After flipping the conventions of horror in Saint Maud, she sets her sights on the...
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